Bozza della presentazione di un libro insolito che nessun acculturato mi ha voluto aiutare a correggere/revisionare e sono cose vere/vissute inserite in un insolito libro di soli 4 capitoli con piccole storie fantastiche interattive per accedere a mondi paralleli tramite informazioni multi-dimensionali etc...ho chiesto in diversi siti di scrittura aiuto, ma tutti hanno fatto orecchie da mercante ed erano presi e persi a scrivere letterine alla Befana, a Babbo natale od al Bambinello od a fare garette di esibizionismo sul piu' bravo a parolare/poetare e robe del genere non sembrano interessare molto ed allora uso questo sito per inserire il link e condividere il lavoro con persone fuori dai siti e vedere se qualcuno potrebbe essere interessato...ed e' solo la bozza che deve essere sistemata e le immagini scelte con piu' cura e presentate meglio dato che non sono una disegnatrice, una scrittrice e nemmeno acculturata e l'inglese lo mastico peggio del mio italiano quasi dimenticato. Alberto Lori mi ha fatto i complimenti su una parte dell'ultimo capitolo non ancora terminato che inserisco alla fine nella sezione dei commenti, ma non penso che e' il genere di scritti di cui lui si occupa e non e' il suo campo pero' e' stato gentile a dare il suo parere e lo ringrazio.
INTERACTIVE PARANORMAL GAMES WITH NUMERIC/GEOMETRIC FORMATS
THE FALLEN ANGELS’ DIAMOND
(You can skip this introduction and go directly to CHAPTER ONE for the magic games and come back later if you are interested to find out how I got these information.)
It all started several years ago and I was just experimenting with some sort of automatic writing and I would just let the inner flow emerge and manifest itself freely without thinking what I was doing, it was a sort of fun and I was trying to describe creation using geometric formats and something took over me and I developed a strange symbol, which had alternated color black and white in a sort of interconnected grills of two squares and this is the original I have rotated for a purpose that I will explain later.
Above, Fig. 1, “The Fallen Angels‘ Diamond” (on the original page I cut because full of other drawings) and Fig. 2, Babylonian relief, similar to pyramids seen from the sky and MATRIX SYIMBOL of the Nasca Star in Peru‘.
In my family there are may instances of paranormal manifestations from my mother side, my sisters, my two grand mothers and relatives above them, so it seems like something that runs in the genes. I had for many years, out of body travels, often after sleep paralysis and I did not know what they were and I used to be very scared and when I was young, I even went to the neurologist to seek for some help and he laughed at me and did not take me seriously and made fun of me and I was very disappointed, in addition, my family was not of much help; they were even making things worse by telling me that if someone would wake me up while I was out of my body, I would probably die e crazy things like that. After many years, I found out many people were having similar experiences and not everybody was living them well or positively due to the wrong information we had received. Then, I discovered that in the old days, ancient people knew about out of body travels and even about remembering previous lives, so it was nothing new, but just forgotten and misunderstood by modern men.
Around 2006, I also performed some experiments with automatic writing, but I used a particular format to contain the numeric data, a sort of playful
context, and the website where I published the information, was used also by a famous Ufologist "Corrrado Malanga", and after analyzing some of my works, his moderators decided to lock the all series where I had those numeric data, thinking they could be the work of some sort of aliens they call LUX, and they were afraid there could be some sort of subliminal messages and people could not decide for themselves and I think they were just creating fears and phobia to promote their hypothesis about aliens abductions instead of studying seriously human mind and its hidden
potentials known and used by our ancestors in the golden ages. I was very disappointed and I left the forum of:
www.sensistoria.org and there are still many of my posts available there, but the most important, are closed and inaccessible although it was posted in the free section where we could relax and play:
freeforumzone.leonardo.it/cartella.aspx?idc=539512&p=1
This numeric table, it is said, it was used by the Sumerians and later by the Vedic culture and I will give my version that scared ufologists, as a gift to the readers of this book and I will place it in the last page.
1 2 3 4 5 6 7 8 9
2 4 6 8 1 3 5 7 9
3 6 9 3 6 9 3 6 9
4 8 3 7 2 6 1 5 9
5 1 6 2 7 3 8 4 9
6 3 9 6 3 9 6 3 9
7 5 3 1 8 6 4 2 9
8 7 6 5 4 3 2 1 9
9 9 9 9 9 9 9 9 9
When I was experimenting with automatic writing, my fears were gone and I was anxious to get in touch with my inner self and see what could happen during those experiments.
While I was doing that particular symbol mentioned before, it felt like if someone was talking to me in a telepathic way, and was saying that it would be like a STAR shining in the darkness that would lead me in my lonely
journey toward the lost path of humanity, and I was told that I would find that sacred net all over the world in the ancient cults and it would be expressed in many forms. I called that particular symbol, “THE FALLEN ANGELS‘ DIAMOND“.
Some other symbols were given to me, but for now, I concentrate only on this one. I also used magic squares of the seven planets for my experiments, and they were incredibly powerful and even if I am dumb in math, I was able to develop the 10x10 and 11x11 following the guiding lines of the great seven; it was like if I knew those things but I could not remember what they were and how they were used or to what they were connected to. I created new kinds of magic squares never done by men with mixed and alternated sequences but I had to stop because they were so powerful and were sucking all my energy and I could not do anything else but just play with them in a million way. So, I forced myself to cut it out and try other things.
I do not know if these are just fantastic coincidences, but I did find the sacred net in all ancient cults; there were so may different versions and scales and I could recognize the main one, the omphalos used to create various compositions and I could fit them all, in THE FALLEN ANGELS‘ DIAMOND.
Here just some of them:
I Could not believe my eyes when I found a huge mandala in Peru’ visible from above, part of a family of 3 elements that was different from all other Nasca’s drawings and THE FALLEN ANGELS’ DIAMOND could overlap to the central one in a perfect way, there was only the need to continue the invisible lines already visible in the corners and heart of mandala called “STAR“; I was completely speachless and I did not know what to think of it. But this was the start of something else even more amazing.
This is THE FALLEN ANGELS’ DIAMOND superimposed to the Nasca STAR of Peru’ with the invisible Gerusalem Walls added by me and now you can undersand why I have rotated the symbol.
Below, you can see, if we contain the whole mandala in a square and continue with the same segments throughout the image, we will have a 12x12=144 squares (Gerusalem Walls); then, we can divide it in 3x3=9 squares (Saturn/Matrix); continue with smaller divisions 4x4=16 squares of Jupiter until we reach the 6x6=36 squares of the Sun.
This particular Nasca design, has appeared on a crop circle completed with the other two little elements at both sides, and usually you can find the central star alone, or with one of the two little mandalas, because one is almost invisible and very few people know about its existence, but whoever created the crop circle, knew of the three elements or tree crosses if so we may call them.
we can see that these invisible walls, contain some real ancient wonders, and this is just the beginning!
I also found out the Hittite Sun Disc, from Anatolian Bronze Age, (see image above) contains the codes related to the Peruvian STAR and other elements representing a particular ancient solar cult. It is in a mirror form, probably because it contained mirror images of astronomy, back bone of ancient superiors doctrines, which became forbidden and secret. Some versions of Hittite Sun Disc, have the 4x4 squares with the x inside all contained in a round mirror with nine elements on top with other codes, and inside the mirror 3 other small circles divided with crosses to make 12 small elements (4 for each cross);some other versions are square with swastika and still with the 3 crosses and in some other instances, there are only the 3 animals in the circle/mirror and so on…
Here some curious coincidences, if so we may call them:
Why it is said that JUPITER is a SOLAR God that holds the MATRIX in his hand? You may be able to understand it yourself after you have red this book.
Some interesting data to compare related to the Cubic Gerusalem and the 7 seals of the Ancient Beast:
12x12x12 = 1728
which, when divided by 4, equals 432.
Revelation 13:18 “If anyone is wise, let him count the number of the beast. It is a human number. His number is 666.”
6x6x6 = 216, which is half of 432.”
Now, for curiosity, let’us compare ancient knowledge with this data.
Vedic division of time and Yuga years contains multiples of this basic system:
432=..........….................432
432+432=..........….........864
432+432+432=.…........1296
432+432+432+432=.....1728
...........…....................______
.......………...................4320
This below, it is a kind of game I have developed in a sort of automatic writing just now, while I am writing, I am comparing it to the above one and I have used all the divisions of the table 12x12x12 previously mentioned:
12X12X12=1728
6X6X6=216
4X4X4=64
3X3X3=9
1728/1728=…1
1728/216=.….8
1728/64=..…27
1728/9=..…..64
-------------------
……….…..100
Strangely enough, the essence is similar, and the first number, the number 1, shows at the end but with TWO decimal positions added, and not just ONE like the Yuga years at the end of the fourth cycle, and we can use the Yuga year 432 to compare the game, with ancient knowledge, and you can use the table below, and replace the number 432 with any number following the same operation of multiplying it four times, by 1, by 8, by 27 and by 64 and adding all the results to notice that the first number show up TWO scales higher.
432X1=…..432
432X8=…3456
432X27=11664
432X64=27648
--------------------
…………43200
I found out that Babylonian astrologers divided the heavens into 36 constellations (ten days each) and they were represented by different amulets called “Sigilla Solis,” or the Sun Seal.
NOTE TAKEN BY THE FOLLOWING ADDRESS:
www.churchofgod-usa.org/index.php?news&nid=65
The Babylonians divided each of the 12 houses in the zodiac into three rooms, making 36 in all. They then divided the entire remainder of the sky into 36 constellations, and appointed the ruling god of each constellation to rule over one of the 36 rooms of the zodiac. Since the spirits of the departed were believed to go to and dwell in the stars - a teaching still much alive today, there was therefore not a spirit in the heavens, not a star in the sky which was not represented in the 36 rooms of the zodiac, and to swear by the number 36 was to swear by every god in the heavens above, as well as by all the spirits of the departed. The 36 gods were called decans because each ruled over 10 degrees of the zodiacal circle and over 10 days of the 360-day year.
The seven planets or the 7-headed astrological dragon ruled over the 36 decans and over them all, as we have noted, ruled the sun, 'the father of the gods.' It was natural and inevitable that since the summary number of the numbers from 1-36 is 666, this number (called the Grand Number of the Sun).