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XXX rituale antico dei morti viventi (funghi fatti uomo trasformati in polvere)

Ultimo Aggiornamento: 25/02/2018 03:59
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The Orphic Gold Tablets: A “Ritual for the Dead”

The Orphic Gold Tablets: A “Ritual for the Dead”



In my last post on the Orphic Gold Tablets (“Arriving in the Afterlife and the Importance of Memory for Salvation”), I discussed the tablets’ instructions for the soul as it arrives in the Netherworld, and how the soul there encounters a scene very reminiscent of Lehi’s vision of the Tree of Life and its surroundings.  The soul is to choose the fountain of living waters (of Memory) in order to progress towards immortal glory.  I also discussed the important role of Memory, both figurative and literal, in the soul being able to pass by the guardians in order to take the next step of their journey. (For more info on how to improve your own memory, check out www.4aBetterMemory.com)


We now move on to that next phase — a system the authors of Instructions for the Netherworld: The Orphic Gold Tablets call “a ritual for the dead.” Our understanding of this ritual and its place in the journey of the Afterlife comes principally from two tablets found at ancient Pelinna in Thessaly. According to Bernabé and San Cristóbal, these inscriptions are extremely important and have revolutionized what is known about the “Orphic” afterlife journey (p. 61).  I post here the text of the longer of the two inscriptions:


You have just died and have just been born, thrice happy, on this day.


Tell Persephone that Bacchus himself has liberated you.


A bull, you leapt into the milk.


Swift, you leapt into the milk.


A ram, you fell into the milk.


You have wine, a happy privilege


and you will go under the earth, once you have accomplished the same rites as the other happy ones.


I don’t know about you, but this text just didn’t do much for me when I first read it. However, the commentary of the authors greatly enlightens the significance of these rather enigmatic words. The authors initially reason that they must either be part of funerary rites or a part of the initiation. The rather odd references to milk and wine should probably be understood as referring to offerings/libations that accompany the utterance of the formulas (p. 63).  Whether these rites were performed at a funeral or at the initiation is not known.


A Death that is Life — Rebirth into Godhood


The inscription begins with a narrator addressing the deceased, proclaiming that their death is a happy experience in which the individual is at the same time reborn.  Others of the Orphic tablets go into greater detail concerning this rebirth and the initiate’s newly acquired status (p. 64):


–You have been born a god, from the man that you were.


–Happy and fortunate, you will be god, from mortal that you were.


–Come, Caecilia Secundina, legitimately changed into a goddess.


The authors note that the inscriptions, without a doubt, have to do with a “mystery ritual, in which happiness after death is promised” (p. 64). This happiness (trisolbie — “thrice happy”) is linked to the achievement of a particular knowledge, generally proceeding from initiation. Sophocles, with regard to the mysteries, declared (cited p. 64):



Thrice happy those mortals who, having carried out the initiatory rites head for Hades, since life is reserved for them, whereas the others suffer great evils.



The lines about leaping and falling into the milk, along with the suggestion that the initiate has “just died”, indicate that there is some urgency and some instantaneous action occuring with the death. The authors conclude that this could be a rite performed either at the funeral or at the initiation, and that it doesn’t really matter which, as, apparently, “for the Orphics both are one and the same thing” (p. 64). There have been many attempts to explain the significance of the milk. It is known that both milk and wine were important elements in the Greek worship of Dionysus/Bacchus.  The initiate/deceased could have been immersed in milk, whether literally or figuratively.  Some reason that there is reference here to a return to live in the “Milky Way”, and that the mention of the kid and bull are references to the zodiacal signs of Aires and Taurus.  Milk can also be an allusion to the rebirth of the individual. There are a number of ancient rites that involve drinking of the milk of Mother Earth/Goddess, as if a newborn. The philospher Sallustius informs us that food consisting of milk was also known in the Attic mysteries:

after this, feeding by milk like the newborn, which is followed by manifestations of joy, crowns, and something similar to an ascent towards the gods (p. 78).

It is likely that this act of drinking milk like a newborn is a symbol of rebirth, purity, and innocence.  Finally, there is the possibility that the references to the kid, bull, and ram are meant to indicate that the initiate is reborn and thereafter identified with the god Dionysus, who is often described/depicted as any of these animals. The point of mentioning this imagery in the inscription seems to be to emphasize to the initiate that he is being identified with the god, being reborn to a new life, will be nourished like a newborn, and greeted and protected by his mother the goddess (p. 83).

Egyptian Milk Tree

Egyptian: Rudimentary depiction of tree/goddess nursing an individual

treegoddess3

More detailed image of same theme

The presence of wine is also very important. Wine is a symbol of the feasting/abundance and happiness that will be the initiate’s reward in the Afterlife. Drinking wine is understood to be an initiatory rite, a solemn sacrament which essentially entails drinking the god in order to participate in his immortality (p. 85).  The joint partaking of the wine by members and new initiates indicates an integration into the initiated group.  Wine was associated with the god Dionysus and the “liberation” that he offered.

The Soul Liberated by Bacchus/Dionysus

From the tablets anyalyzed in the last post of this series, we saw that the soul of the deceased, in order to arrive in the presence of the goddess Persephone, must pass the test of the guardians beforehand, giving them the correct password/phrase.  However, in the above-mentioned inscription from Pelinna, we read that the soul is to “Tell Persephone that Bacchus himself has liberated you.”

Persephone, goddess of fertility and Queen of the Underworld, is the principal figure that the deceased is to meet in the Afterlife. It is to her paradisaical dominion, “the sacred meadows and groves of Persephone”, that the initiate is trying to reach.  Persephone is a type of “Heavenly Mother” — the mother of all mortals, according to the Orphic myth, and the figure whom the deceased call “mother” (p. 68).  The goddess fulfills a salvific function, and the initiate confides in her.  It is hard for me to tell the difference between her role and that of Hades, her husband, who is usually depicted as the enthroned figure in the Afterlife scenes, with Persephone standing near him (see image below), but the authors indicate that it is the goddess who is the judge and determines the soul’s destiny (p. 70). Perhaps her role is to decide whether the soul is worthy for acceptance into the most sacred place where Hades is enthroned.

In the tablets from Hipponion and Entella, the soul must answer the question of the guardians, but their only real function is to pass the correct answer to the goddess, who makes the ultimate decision.  The guardians attract the attention of the goddess to the initiate, who grants him entrance to the blessed condition after she has heard the correct passwords.  Persephone judges their worthiness and then protects them throughout the rest of their journey.

The other major figure mentioned in this inscription is Bacchus, who is cited as having “liberated” the initiate.  Bacchus, also known as Dionysus, is most famously known as the god of wine, fertility, and wild parties.  He also seems to be a sort of sponsor for initiates into the mysteries.  The reason for this is rather complicated, and I will not go into it here — it is sufficient to say that the Greeks believed that Dionysus was the only god who could forgive the human race from the ancient sin of their ancestors (the Titans who ate Dionysus’ flesh long ago), and thus liberate them.  Dionysus acts as a mediator, guiding the initiate and interceding for them with his mother, Persephone (note the important mother-son deity relationship common to many ancient cultures).  Those who undergo the mystery rites (which include purification) during their lifetime will have the right to have the god Dionysus as their liberator, advocate, and guide after they die.  Dionysus has entered into a pact with Hades which allows for the liberation of the initiate from the grasp of Death.

Volute Krater from Apulia depicting Afterlife scene (Toledo Museum of Art)

Volute Krater from Apulia depicting Afterlife scene (Toledo Museum of Art)
Detail from above vase, depicting "dextrarum iunctio" handshake between Dionysus and enthroned Hades, with Persephone at right (Instructions for the Netherworld, Ap. II, N. 6)

Detail from above vase, depicting "dextrarum iunctio" handshake between Dionysus and enthroned Hades, with Persephone at right (Instructions for the Netherworld, Ap. II, N. 6)

(For more on the dextrarum iunctio, or sacred handclasp, see Stephen Ricks’ article here)

Apparently, because of this pact with Hades, mortals can be “initiated into” Dionysus, who liberates them from their sins and through whom they are initiated into Persephone and immortal glory.  In the fragments of the Theogonies, Proclus explains:1

Taking the soul to the happy life, after the wanderings around the world of becoming, which those who in Orpheus are initiated into Dionysus and Kore (Persephone), pray to obtain “liberation from the cycle and a respite from disgrace”.

As long as the individual has been initiated into the mysteries, led a life subject to specific norms of purity, and submitted himself to the god’s judgment, he will be purged of his own sins and of the sins of the “original sin” of his ancestors. Sometimes the process requires that the initiate undergo some form of painful punishment, until he can say:

I have paid the punishment that corresponds to impious acts…(p. 75)

The point that the authors emphasize, however, based on the testimony of many texts, is the importance of undergoing the initiation. They note:

The accomplishment of the rites of the mysteries marks the separations between initiates and non initiates, and determines the happy destiny of the former, who will live next to the gods, compated to the suffering that awaits the latter.

They then cite Plato:

It could be that those who instituted the initiations for us were not inept, but that in reality it has long been indicated in symbolic form that whoever arrives in Hades uninitiated and without having carried out the rites “will lie in the mud”, but that he who arrives purified and having accomplished the rites, will live there with the gods…and these are none other than the true philosophers (p. 92).

The Orphic participation in teletai (initiatory rites) dates at least, based on textual evidence, to the 4th century B.C.  These rites included (there are many details that I do not yet have) dressing initiates in animal skins, purifications, ritual sayings/oaths regarding obedience, crowning with crowns of white poplar, and the setting apart of the initiate from the world and from non initiates.  Initiates were to commence a new life of happiness and were taught to lose fear of death (p. 93).   They were promised that they would be able to cease the cycle of mortal life and be reborn as a god. These rituals were not invented by the Orphic cult, nor any of the other Greek mystery religions, but were adapted from the traditions of more ancient cultures. I would like to know the exact trajectory of how these ideas reached the Greek peoples, whether it was from Egypt or Anatolia or elsewhere, but it is known that there was much interaction among the Eastern Mediterranean peoples and they held many beliefs and practices in common.


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Confrontare con altre versioni
ignorando quello che pensa di capire il narratore e che riporta i brani senza sapere davvero a cosa si riferivano o cosa mimavano...

==========
<header>

The Headless Hashasheen

</header>

Re: Sourcing my response:

Circular movements:

Circular Movements. Sometimes one could move in a circle around the focal point of the necromancy, whatever this was to be. Deliodorus twice speaks of Egyptian necromancers circling around dead bodies. When he tells us that his old woman of Bessa leaped repeatedly between the pit and the fire, between which she had laid out her son’s corpse, we are presumably to imagine she did so in a circle… Ps.-Quintilian’s sorcerer binds a restless ghost into its tomb by “surrounding” it (circumdantur) with a harmful spell. After the Suda’s psuchagogoi have located the spot in which the corpse of a restless ghost lies, they mark it off and walk around it, conversing with the ghosts and asking them the reasons for their disquiet. An obscure clause of the sacred law from Selinus (ca. 460 BCE) prescribing mechanisms for ridding oneself of an attacking ghost (see chapter 8) seems to suggest one should move in a circle after offering the ghost a meal and sacrificing a piglet to Zeus. This accords with the use of circular libations around the pit, discussed above. As with these libations, the purpose of circular movements was clearly to purify the area marked off by them. The circle can concomitantly be thought of as constituting some sort of protective barrier between the living and the ghosts, as appears from the complementary process in Lucian’s Menippus. Here it is not a matter of an individual ghost being summoned into the realm of the living, but of an individual living person descending into the realm of the dead. As part of the purifications Mithrobarzanes performs for Menippus prior to his necromantic descent, he walks around him in order to protect him from the ghosts. The Greeks often carried sacrificed victims around areas or individuals to be purified…”
- Daniel Ogden, Greek and Roman Necromancy. (P. 178 - 179).

Note the mention of ‘circular libations.’ I can quote more too, later.

The combination of Honey / Wine / Holy Water comes indirectly from CLM 849, the Munich Necromancer’s Handbook. In the process of using the Mirror of Floron (I’ll dig through Kieckhefer’s Forbidden Rites later for a page number if it is so desired), the necromancer is to sprinkle the air with Honey / Wine / Milk. Milk is an offering made to the dead in Greece and the wider Magna Graecia, and even appears in Orphic tablets:

You have just died and have just been born, thrice happy, on this day.
Tell Persephone that Bacchus himself has liberated you.
A bull, you leapt into the milk.
Swift, you leapt into the milk.
A ram, you fell into the milk.
You have wine, a happy privilege
and you will go under the earth, once you have accomplished the same
rites as the other happy ones.

—  L 7a-b Two tablets from Pelinna, 4th cent. B.C., 1st edition Tsantsanoglou and Parassoglou (1987) 3 ff. (From Bernabe & Christophe, Instructions for the Netherworld. P. 62)

I’ve displaced it for lustral water (which could easily be compared with khernips), but in fact you can use both. In CLM 849, the mixture is to be prepared 'in equal parts’ and the addition of holy water will not be bad. I’ve actually done it a lot, and it works well.

Frankincense and Myrrh are, as the link I posted from Sannion earlier, the two most popular forms of incense for the Gods in Greece. Rosemary, Mint, and Marjoram make up the three primary plants of incense in the Grimorium Verum:

“Make an aspergillus from mint, marjoram and rosemary, which is bound by a thread made by a virgin maiden.
- Jake Stratton-Kent, The True Grimoire. (P. 108)

And:

“The perfume for the circle before you enter therein is musk. amber, aloes wood and frankincense.

The perfume for inside the circle is mace alone.

The perfume for spirits the is frankincense alone.”
- Jake Stratton-Kent, The True Grimoire. (P. 108)

Cold running water is a common cleansing element in folklore; Mandrake is to be cleansed with it in some cases, and this theme of using cold, running water for it is picked up by Franz Bardon in Initiation into Hermetics.

Clean clothes: I’ll look up some exact citations later. I’ve already transcribed a bit tonight, and am feeling tired, if that’s okay. *laughs* Same with Bardon on cold water.

Sorry that this is somewhat half-assed. I’m at a three book limit tonight, I guess.


[Modificato da sp3ranza 25/09/2016 12:58]
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altri confronti:
The Orphic Gold Tablets: A “Ritual for the Dead”

You have just died and have just been born, thrice happy, on this day.

Tell Persephone that Bacchus himself has liberated you.

A bull, you leapt into the milk.

Swift, you leapt into the milk.

A ram, you fell into the milk.

You have wine, a happy privilege

and you will go under the earth,
once you have accomplished the same rites
as the other happy ones.


–You have been born a god, from the man that you were.

–Happy and fortunate, you will be god, from mortal that you were.

–Come, Caecilia Secundina, legitimately changed into a goddess.


Thrice happy those mortals who, having carried out the initiatory rites head for Hades, since life is reserved for them, whereas the others suffer great evils.



after this, feeding by milk like the newborn, which is followed by manifestations of joy, crowns, and something similar to an ascent towards the gods (p. 78).


Taking the soul to the happy life, after the wanderings around the world of becoming, which those who in Orpheus are initiated into Dionysus and Kore (Persephone), pray to obtain “liberation from the cycle and a respite from disgrace”.


I have paid the punishment that corresponds to impious acts…(p. 75)

===
The accomplishment of the rites of the mysteries marks the separations between initiates and non initiates, and determines the happy destiny of the former, who will live next to the gods, compated to the suffering that awaits the latter.

They then cite Plato:

It could be that those who instituted the initiations for us were not inept, but that in reality it has long been indicated in symbolic form that whoever arrives in Hades uninitiated and without having carried out the rites “will lie in the mud”, but that he who arrives purified and having accomplished the rites, will live there with the gods…and these are none other than the true philosophers (p. 92).
==
books.google.com/books?id=sx1wuOxS63YC&pg=PA62&lpg=PA62&dq=You+have+just+died+and+have+just+been+born,+thrice+happy,+on+this+day.++Tell+Persephone+that+Bacchus+himself+has+liberated+you.&source=bl&ots=J72ux5v1o4&sig=Gnnm3oaJ8KGI7p6BHFOvMEAygJw&hl=en&sa=X&ved=0ahUKEwjys-POrKrPAhVL34MKHTpFBb4Q6AEIHDAA#v=onepage&q=You%20have%20just%20died%20and%20have%20just%20been%20born%2C%20thrice%20happy%2C%20on%20this%20day.%20%20Tell%20Persephone%20that%20Bacchus%20himself%20has%20liberated%20you....

vvvvvvvvvvvv
theheadlesshashasheen.tumblr.com/post/102844930067/re-sourcing-my-...
The Headless Hashasheen

The milk was a representation of enkis' milk

The combination of Honey / Wine / Holy Water comes indirectly from CLM 849, the Munich Necromancer’s Handbook. In the process of using the Mirror of Floron (I’ll dig through Kieckhefer’s Forbidden Rites later for a page number if it is so desired), the necromancer is to sprinkle the air with Honey / Wine / Milk. Milk is an offering made to the dead in Greece and the wider Magna Graecia, and even appears in Orphic tablets:

“You have just died and have just been born, thrice happy, on this day.
Tell Persephone that Bacchus himself has liberated you.
A bull, you leapt into the milk.
Swift, you leapt into the milk.
A ram, you fell into the milk.
You have wine, a happy privilege
and you will go under the earth, once you have accomplished the same
rites as the other happy ones.”
— L 7a-b Two tablets from Pelinna, 4th cent. B.C., 1st edition Tsantsanoglou and Parassoglou (1987) 3 ff. (From Bernabe & Christophe, Instructions for the Netherworld. P. 62)


[Modificato da sp3ranza 25/09/2016 12:58]
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hades previous cannibal god
feeding like enki, on his semen creation...using giants turned into cannibals and blinding them with new drugs..


en.m.wikipedia.org/wiki/Hades

Detail from above vase, depicting "dextrarum iunctio" handshake between Dionysus and enthroned Hades, with Persephone at right (Instructions for the Netherworld, Ap. II, N. 6)

[Modificato da sp3ranza 03/10/2016 13:46]
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bacco perbacco...

Page 1
PARALLELISM BETWEEN
INDO-IRANIAN "SOMA HAOMA"
RITUALS & THE "CHI-DYO" RITUALS
OF THE LEPCHAS OF SIKKIM
P.B. Chakrabarty
A lcoholic drinks play a very important role in all sacrificial
eremonies and rituals observed by the Lepchas (Rongkup) of
Sikkim. One such drink is the "Chi" which is millet beer and another
alcoholic sacrificial drink is "Dyo" made from medicinal herbs, roots
or other fermentable plants. According to ancient tradition of the
Lepchas, "Chi" is of divine origin. Legend has it that the ferment used
in the preparation of "Chi" was brought to mankind from the nether
world in a cunning manner by a cockroach named "Tagder Palyong".
The Lepchas of Sikkim link up immortality with this drink. It is
believed that the quail (Lepcha name - Kohom fo) is one of the two
birds which fetched this drink of immortality from heaven. Then
again, the "Chi" sacrifice is closely linked with the bull and performed
on the head of the animal. The "Chi" sacrifice is intimately bound up
with the life and rituals of the Lepchas and an integral part of the
cultural heritage of their ancestors.
We find striking parallelism between the Indo-Iranian
"Soma-Haoma“ sacrifices and the "Chi" sacrifice of the Lepchas of
31
Page 2
Sikkim. According to Indo-European beliefs, the drink which
manifests secret, ecstatic and exciting power to men is an essence of
the gods, and a special possession of theirs. The dwelling place of this
drink "Soma" rasa of the gods is' heaven and from its heavenly
storage, the bird eagle of the king of the Aryan god Indra (the nectar
carrying eagle of Zeus, Greek god King of Olympus) or the god himself
disguised as a bird, fetched or stole it from the jealously watching
demons. It is accepted by most experts that at the time of the
Indo-Europeans, the concept of god-like immortality was already
connected with the drink of the gods (Indo-European words-Amrita
and Ambrosia). As human life is preserved by taking meat and drink
and specially death is warded off for a time, at least, by medicine, so
the godly existence must also depend on the partaking of a sacrificial
drink whose essence is immortality. "Soma-Haoma" was this drink of
immortality.
Similar sacrifice as the nourishment of the gods is performed by
the Lepcha folk too. "Tak-bo-thing", the wonder power god of the
Lepchas made his first sacrifice of many fruits and fish to
"It-bo-Rum", the supreme god of Rong folk or the Lepchas. Thus
according to H.Oldenberg, the stimulating drink possessed with
demonic strength, like the sacrificial fire of the Indo-Iranians
becomes a mighty god among the Lepchas as among the
Indo-Iranians. Besides this, there is a close parallelism between the
intimate linkage of the Indo-Iranian "Soma-Haoma" sacrifices with
the cattle and the Lepchas cult of the stimulating drink "Chi" linked
with the bull.
To quote Oldernberg, "Soma is dressed in the cow robe-the
admixture of milk in it". Likewise, the lepchas decorate the bowl of
"Chi" with three little pats of butter called "San-dyo" and place the
Chi" offering on the forehead of the bull. This is very significant.
The blessed killing of the "Haoma bull" among the ancient
Iranians and the most Solemn "Soma" sacrifice of the ancient Indians
on the one hand and the cult of the intoxicating drink "Chi" connected
with the bull cult of the Lepchas are strikingly parallel. Another
32
Page 3
striking point of similarity between the two rituals is that just as the
Iranian Gatha - religion is Dionysiac and it indulges in the ‘Haoma"
delirium with ecstacies and trances, so during a sacrificial ceremony
of the Lepchas, the Rong highpriests and highpriestesses (Bongthing
and Mun) partake of "Chi", muse themselves into frenzy and finally
begin their ecstatic dances and soul-wanderings. Then again, the
preparation of the other Lepcha alcoholic drink "Dyo" and that of the
"Soma-Haoma" drinks of the Indo-Iranians are similar but the secret
of the latter’s extraction has been lost. The herbs and "Soma-Haoma"
were also medicinal plants.
The Lepcha "Dyo" is prepared from some medicinal herbs
mentioned in the Rikveda as "Medicine for the sick“ which even
brought about immortality. According to Oldenberg, "Soma rasa"
(Iranian Haoma) was not a popular drink since it was made from a
rare plant. The common alcoholic drink of the ancient Aryans was
"Sura" which too was a sacrificial drink besides the "Soma" sacrifice.
Here too we find a remarkable parallel to the Lepcha common brew
"Chi" (although it is of divine origin) easily made from millet and
"Dyo", infrequently made from some rare herbs and not commonly
used in sacrificial rituals. Thus the Lepcha drink "Dyo" is the
counterpart of Aryan "Soma rasa" while "Chi" holds the status of the
Aryan "Sura".
Strangely enough, Aryan "Sura" in Vedic myth, is the goddess of
wine just as Lepcha millet brew "Chi" is regarded as a female.
According to the eminent German anthropologist and enthnologist,
Mattlias Hermanns, the Lepcha "Chi" sacrifice closely linked up with
the bull cult, has an entirely original and individual character. It
belongs to their ancestral heritage and was not borrowed from the
ancient Aryans nor from other peoples outside Sikkim.
The writer of the article during his strenuous trek to Zongu,
Lepcha settlement in North Sikkim, gleaned information from the
elderly Lepcha people that the "Chi" sacrifice custom was handed
down to them from generation to generation. It is, therefore, of
indigenous origin and not influenced by sacrificial rituals. The Mpcha
33
Page 4
"Chi-Dyo" sacrificial rituals developed independently of the ancient
Indo-Iranians "Soma-Haoma" sacrificial ceremonies.
Footnotes. The cult of the killings of the Soma in the form of
little plant shoots in the vedic sacrifice and the myth of the slaughter
of the Haoma bull in the mythology of Mithra have a wide
ethrological connection and happened to be the Aryan shaping of and
ancient prehistorical mythology and cult. If Zoroaster, the founder of
the Zoroastrian religion disclaims with passion and holy anger
against the killing of bulls, it is not for agricultural and utilitarian
reasons, but because this ritual formed the constituent part of the old
religion. Now the Soma sacrifice, the highest and the most Solemn
sacrifice of the ancient Aryans, was not essentially offering of a gift to
the gods but the renewal of the original sacrifice of the gods. As the
gods in heaven create the Soma rain for the good of the World, so does
man on earth in the holy ceremony prepares the drink of immortality
which stands for rain as the fountain head of life in order to share in
the blessing of the gods like the original sacrifice. The killing of cattle
again and again condemned by Zoroaster, was the imitation and
repetition of the indeed cruel but blessed killing of the original bull.
And in very close relation with this, Zoroaster condemned in the same
place the Haoma sacrifice although he did not mention the name
Haoma but used instead, and old unmistakeable title of the Haoma.
The sacrifice of the bull in the Mithra cult and its cosmic
meaning is believed by H. Lommel to be identical with the Iranian
Haoma sacrifice. But the beliefs of the Rong people (Lepcha tribe) and
their rituals and rites prove beyond any shadow of doubt that the
intoxicating drink and the cult of the bull are not identical but are
two altogether independent cults. Moreover, they are not the
imitation of the original offering of the deity itself. This mystification
is not found among the most ancient ethnological tribes but found
among those tribes professing a peculiar mystery-religion. Other
experts believe that the intoxicating Haoma has been supplanted by
the milk-Haoma which links up with an ancient milk-mystery.
34
Page 5
The Indo-Iranians would perform the Soma-Haoma sacrifice in
spring time for all the gods. As the stimulating Soma-Haoma drinks
taken by the Indo-Iranians would give them dacmonic strength and
fill them with almost boundless exhileration, so the Rong people by
partaking of the millet brew "Chi", would drive themselves into a
state of ecstasy. A brief description of the process of preparation of
this alcoholic drink would not be out of place here. Well-ripened small
millet grains are dried in the Sun for three days and then cooked in
an earthenware pot covered with a bamboo mat. A larger barrel is
inverted over it. After the cooking, the ferment if added to the boiled
millet for fermentation to occur. The fermented liquor is then left in
the Sun for several days in order to make the alcoholic content
stronger. Finally the grains are squeezed out and the chi-brew is thus
made. The fermenting grains are then put into a bamboo cylinder and
warm water is poured into it. This water becomes alcoholic and is
sucked in intermittently through a bamboo reed in order to avoid the
impure sediment.
The other type alcoholic drink, Dyo, is made from medicinal
roots, herbs or other fermentable plants. The preparation depends on
the material used in each case. The roots are soaked in warm water,
the fermenting material is added and the whole connection allowed to
ferment. After a few days the extract is squeezed out.
The home of the Soma plant is supposed to be high rocky
mountains. In the Rik veda, there are references to "Soma on the
rocks", the eagle robs Soma from the rocks", it is a dweller of the
mountain world". In one place in the Rik veda, the name of such a
mountain is said to be Mujevat. According to the Mahabharata (XIV),
this is a mountain in the rear of the Himalaya. The plant being a
medicinal herb, was called "Medicine for the Sick". The medicinal
efficacy was so potent that it was even known as "Medicine of
Immortality".
In those bygone days blurred by the mist of time, no
Indo-Aryans lived in this mountain world. It is therefore very
probable that from very early time they obtained medicinal herbs and
35
Page 6
roots from the mountain dwellers. In the Atharva Veda it is said, ‘
"The young maid of the Kirata race digs the drug root with shovels
wrought of gold on the. high ridges of the hills".. The expressiof‘.‘
"Kirata-tikta occurs in Sanskrit and means a very bitter medicinal
plant. This name is distorted in Prakrit as "Cilaa-itta". In olden days
in Bengal it is known as Cirayita and today it is known as Cirata.
According to Dr. Suniti Kumar Chattezjee, it means "Medicine of the
Kirata".
The some plant’s juice was equally bitter. It is said that the
Kirata provided the Aryans with soma plants. If the plant grew in the
high Himalaya, then the Aryans would not have been able to obtain it
except through the Kirata and other Himalayan tribes having a
knowledge of the medicinal herbs.
The some plants were ground according to primitive methods by
the Aryans by means of grinding stones and later on crushed in a
stone mortar. thereafter, the juice was squeezed out. This soma juice
was reddish brown or greenish-yellow in colour. It was strained
through a sheep wool strainer for purification. Likewise, the Iranians
purified the Haoma juice by means of a stainer made of hair from the
body of the holy white bull. During the process three priests would
chant a hymn in monotone. The juice was frequently mixed with
water, milk or sour milk and then poured back and forth into
different barrels to cause fermentation to prepare an alcoholic drink.
This process, according to Matthias Hermanns, shows that somajuice
was a rare intoxicating drink. The ordinary alcoholic drink of the
ancient Aryans, he opines, was "Sura" which too was used for the
purpose of ritual sacrifice. According to Hermanns the Himalayan
tribes gave "Soma" t0 the Aryans and disclosed to them the recipe for
making it.
This does not prove beyond doubt that the sacrifice of the
alcoholic drink was introduced by the Aryans.
The ides of the alcoholic drink of the gods appears, according to
Oldenberg, to exist during the time of the Indo-Europeans.
36
Page 7
To them it was the old honey mead. Instead of mead used by the
Aryans earlier, they began using soma when they migrated to India
and came to know ofi’fs use from the Himalayan tribal people.
the customs and rituals of the Lepchas of Sikkim run parallel to
the ancient Indo-Iranian customs. Among the southern Himalayan
tribe, the Lepchas, according to M. Hermanns, are the only tribe
having knowledge of plants and the art of preparing intoxicating
drinks from them. the Tibetans call the Drink of Immortality
"Dud-rtzi". It is nectar or ambrosia although literally it means the
devil’s drink. They use the word "Homa" to mean butter-burnt
offering. "Ho-ma-byed-pa" usually means to offer. The Tibetan word
"Homa" is related to the Iranian word "Haoma" and not to the
Sanskrit word "Soma". Then again, the expression "devil’s drink" is a
derogatory appellation. Zoroaster too expressed the same derogatory
feeling regarding the Haoma drinking bout. these two facts,
Hermanns opines, appear to indicate that the Tibetans imbibed the
Iranian heritage.
REFERENCES
1. CB. Stocks
Folklore and customs of the Lepchas of Sikkim - Journal and
Proceedings, Asiatic Society of bengal, N.S. Vol. XXI, 125/127.
N4
2 H. Oldenberg - Die Religion des Veda, Stuttgart - Berlin 1917
3 H. Lommel - Mithra Und das Stieropfer in Paideum, Bd. III, H.
6/7 Juni 1949
4. SK. Chattezjee - Kirata-Jana-Kriti, Journal R.A.S.B. Vol. XVI,
1950
5. SK. Godivala - Indo-Iranian Religion, Bombay, 1925.
6. Matthias Hermanns - The Mountain Tribes of Sikkim -
Publisher K.L. Fernandes, Examiner Press, Bombay 1954.
7. C.R. Stoner - The Feasts of Merit among the Northern Sangtam
tribes of Assam - Anthropos, Freiburg, Vol. XIV, 1950.
37
Page 8
SOME NOTES ON "SOMA", "HAOMA", "AMRITA", "SURA", ETC.
SOMA : In Hindu mythology soma is an alcoholic liquor consumed by
the vedic priests in order to induce a state of ecstasy. Agni, the divine
fire was the spirit of Soma and the effect of pouring libataions on the
altar fires was to enable the gods to combat the forces of darkness and
to maintain the order of light. It is belived to have been prepared by
fermentation of wild species of Himalayan rhubarh. Eventually Soma
became identified with the elixir of life supposed, when drunk, to
prolong life.
HAOMA : Soma was worshipped in Zoroastrian mythology by the
name Haoma. It was regarded as the purifier of the place of the
Sacred fire and as the destroyer of demons and tyrants.
ANIRITA : In vedic myth, it s the ambrosia of the gods. This elixir or
drink of immortality referred to in the mythological "Churning of the
Ocean“ is probably another version of Soma. As a result of the
"Churning of the Ocean" performed by the gods (Devas) and demons
(Asuras) with the help of Vasuki, ruler of the clan of
serpent-worshippers, coiled round the Mandar mountain, a pitcher
containing Amrita rose up from the Ocean bed and from the hands of'
the Asuras, it was cleverly snatched away by the Devas (the gods)
who drank the Amrita and became immortal. Amrita is identified
with Sudha.
SURA : It is the goddess of wine according to the vedic mythology. It
was produced owing to the Churning of the Ocean during the Kurma
Avatar aeon. The accepted sense of the word is alcoholic drink
prepared by fermenting fruit juice or some herbal juice rich in
carbohydrates. The fermented liquor is then distilled to get alcoholic
beverage.
KURMA AVATAR : In Vedic myth, Kurma Avatar is the second or
tortoise incarnation of Lord Vishnu. This forms the second episode of
the Deluge legend which began during Vishnus Matsya Avatar
period. Here the god incarnate descended to the bottom of the Ocean
to recover the treasures of the Vedic tribes lost during the Deluge. A>
38
Page 9
a trotoise he stationed himself at the sea bottom and on his back was
placed the Mandar mountain round which was coiled Vasuki. The
gods at the tail end and the/demons (Aruras) at the mouth of the
serpent king churned up the ocean with tremendous force when the
following precious objects came up :- Airavata, Indra’s elephcnt,
Amrita; the ambrosia of the gods; Dhanus, the bow of victory;
Kaustabha, the jewel of Vishnu; Lakshmi (or sri), Vishnu’s wife;
Parijata, the tree of knowledge; Rambha, the first of the celestial
nymphs (Apsaras); Sankha, the conch of victory; Sura, the goddess of
wine; Surabhi; the cow of plenty; Uccaihsrava, the first horse; Visha
or Halahal, the deadly poison;
KVASIR : It will be relevant here to touch upon the Nordic myth
according to which Kvasir was the wisest of men who was killed by
the dwarfs, Tjalar and Galar in spartheim.
After his death his blood mixed with the honey mead was
fermented in Odherir, the magic cauldron to produce an intoxicating
liquor which gave wisdom, the knowledge of runes and charms and
the gift of poetry. The soma of the ancient Aryans and the Haoma of
the Iranians were belived to possess similar power.
ZARATHUSTRA : By about 600 B.C., the Zoroastrian religion
reached its nadir, and but for the work of Zarathustra who recognized
it. it would doubtless have vanished. His writings are recorded in the
Zend-Avesta, the Bible of the Zoroastrian religion which laid wodn a
standard text for the tales forming the baisi of the doctrine. He
appears to have been a religions leader like Moses, bringing the
people back to their faith.
In 520 B.C., the Persian king Darius had substitute the new
monotheism of Zarathustra for the“ then existing polytheism.
According to Egerton Sykes, whether Zoroaster is another version of
Zarathustra or whether he was the real founder of the religion is not
clear but is is, however, reasonably certain that the religion doctrine
ofZoroaster was definitely existent for a long period prior to 600 B.C.,
when-Zarathustra is belived to have put the Zend-Avesta into writing
39
Page 10
later-day Zoroastrianism carried to extreme limits, the worship of the
sacred fire brought by the Indo-Germans from their northern habitat.
The modern parsees of Maharastra profess Zoroastrianism.
MITHRA : Mithra or Mitra, first appears as a god in the Vedic
Hymns where he is mentioned about one hundred and seventy times.
He would appear to have been a human being who was elevated to
the divine rank after his death which had taken place before the
Aryans reached India. In the Rik-Veda he is regarded as one of the
twelve Adityas (Aditya is a personificatiion of the generative powers
of nature). As the Hindu religion gave rise to Brahmanism, the cult of
Mithra gradually vanished.
The Iranians, however, made him of the Ameshas (the six
m\immortal Holy ones) as the genius of heavenly light. He was the
chief of a heavenly host of Ahura (Benign powers according to
Zoroastrian religion) whom he led against the evil forces of the Devas
(Benign forces according to the Aryan faith). In the reform of the
Mazdean religion done by Zoroaster, Mithra was reduced in status
from the rank of Amesha of that of Yazata (celestial being in charge of
a heavenly task) where he stood between the opposing forces of good
and evil, always helping in the saving of souls. The worship of Mithra
is always associated with the killing of bulls and was introduced into
the Roman world from Cappadocia. By the time of the Persian king
Xerxes I, it had spread into Greece. Mithraism was an aesthelic
religion of truth, purityintmd right for men only and women
worshipped Cybele but the dominant feature of the religion was
dualism With good and evil equally balanced.
But for the spread of Christianity, Mithraism would now have
been the religion of Europe. The Mithra religion, unlike the Dionysiac
Zoroastrianism, was sober, formalistic and Apollonic.
N.B These notes are based on the finding of the eminent
: British mythographer Egerton Sykes who compiled them
in the form of a book titled "Everyman’s Dictionary of
N on-classical Mythology".
Page 11
A Special Note on "Chi" (1) Chis is protected by a deity named
"Don-dyo-chi-log' who is accorded the same homage as the supremen
god of the Lepcha tribe named "It-bo-rum". The Lepcha people offer
the chi brew to their deities in a wooden vessel together with rice and
flesh of little birds on a banana leaf-plate. "Chi" has to be prepared by
a young virgin and the sacrifice is called "Rum-fat" or
"Lyang-rum-fat" and performed once a year in honour of It-bo-rum
sometimes in December or January. Generally the head of a family
who is also the family priest, performs the "Chi" sacrificial ceremony.
Strangely enough, the Lepcha alcoholic liquor "Chi" is regarded
as a female just as "Sura" in Vedic myth is the goddess of wine.
(2) The Lepcha people call themselves "Mutan-chi-Rongkup"
meaning "Dear children of Mother Nature".

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books.google.com/books?id=WaIZAQAAIAAJ&lpg=PA56&ots=moPjieFWNt&dq=sura%20haoma&pg=PA56#v=onepage&q=sura%20haoma...



=========
www.takeourword.com/urine.html

La persona immolata/sacrificata, come descritto anche nei testi di enki,
in cui un leader deve essere sacrificato per creare la nuova umanita'
tramite le bevande alcoliche ed il sacrificio di un uomo/leader di intelligenza superiore
e la vittima era lavata/preparata/drogata e spremuta/uccisa/utilizzata per creare
la bevanda fermentata con l'immortalita'/quintessenza dell'ucciso,
essenza mantenuta viva/attiva nel preparato alcolico e consumata dal gruppo
che acquisiva il poteri della vittima tramite i supporti delle droghe/draghi
e bevande alcoliche sempre presenti nei rituali antichi dei nostri avi...

www.cannabisculture.com/content/2004/01/12/3155
[Modificato da sp3ranza 25/02/2018 03:59]
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